![]() And gospel music is more inspirational than time-induced." "Mahalia had a problem staying within those time measures that he had set. "Mahalia had him pulling out his hair at the recording session," Keeble says. Stanley Keeble of Chicago's Gospel Music Heritage Museum.įor example, she worked with the great Mitch Miller. "They would say, 'She's singing the blues.' "Īnd when Jackson brought her brand of gospel to the recording studio, it could cause trouble, as well, says the Rev. ![]() "The ministers in the churches didn't want her singing in their church, because she would put a beat behind these traditional gospel songs," Staples says. Still, Staples says, Mahalia Jackson's success didn't always go over well back home in the black church. She inspired generations of singers, including Aretha Franklin, Della Reese, Albertina Walker and Mavis Staples of The Staples Singers. When she was 16, she traveled the well-worn path up the Mississippi River to Chicago.īeginning in the 1940s, she was one of the first singers to take gospel out of the church, drawing white audiences and selling millions of records. Mahalia Jackson was born in 1911 in New Orleans. "When there is no gap between what you say and who you are, what you say and what you believe - when you can express that in song, it is all the more powerful." Jesse Jackson, who first met the singer in the 1960s. "That's where the power comes from," says the Rev. ![]() When you hear the voice, you know the woman. Paul Schutzer Time & Live Pictures/Getty Images Mahalia Jackson sings at a Prayer Pilgrimage for Freedom in May 1957. ![]()
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